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Rooster

by Brume

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caffeinatedmetalhead
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caffeinatedmetalhead Another tasty doom album from Brume! Favorite track: Grit and Pearls.
riffcaster2112
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riffcaster2112 "Brume's music evokes a clashing of two titans like Godzilla versus King Kong with Susie's (bass guitarist & vocalist Susie McMullan) vocals playing the part of Fay Wray pleading with the monsters to stop fighting. Stunning beauty and Earth shattering heaviness in one colossal sonic explosion." Check out my review of Rooster on The Ripple Effect at ripplemusic.blogspot.com/search?q=brume+rooster
Matthias
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Matthias Superb female fronted doom Favorite track: Reckon.
Héctor Hurtado Grooscors
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Héctor Hurtado Grooscors Brume plays an atmospheric Doom Metal, enveloped in a dense fog, a mood highlighted by Susie McMullan eerie and ethereal vocals (the best female vocal performance of 2017!) Favorite track: Call the Serpent's Bluff.
paul rote
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paul rote Heavy , dark , soft , beautiful doom !
Steve Rodger
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Steve Rodger Can't believe that the bands previous release Donkey was two years ago. Welcome back Brume you sleazy riff masters you... Favorite track: Call the Serpent's Bluff.
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1.
Before earth had its pearls Oh, no egos ruled the world No tyrants craved control New world order nor power No boundaries no borders Oh, no worries who went where If we didn’t follow, they couldn’t rise To our demise, recognize its own you Before earth had its pearls Before earth had its pearls Once you walk away He’ll try everything to make you stay You see there is no king Without minions or military Breathe deep in harmony Let’s be free Fly with me let your heart fill with empathy On how we can all get along in anarchy Before earth had its pearls Before earth had its pearls It’s all you Its all you, hey Desire Desire free Power is the world’s cancer We don’t have to follow Self-reliance is the answer If we don’t follow No fuel for despotism If we don’t schism The giant will starve to death If we don’t feed him
2.
Harold 07:30
Arms outstretched I’ve waited Dusty shaky shiver The nest was dry I’ll pocket you My instincts screaming Hallow hands palms aching My instincts screaming Hallow hands your silence bleeds Watch your gold wings spread you’ll be safe I’ve got two weeks with you, dear Then I must head west, I’m afraid My instincts screaming Hallow hands palms aching My instincts screaming Hallow hands your silence bleeds No longer keep My rabbits foot I cannot sleep I hope you’re good My sweet wishbone Did you make it east? Sleep high above The Resting beast My instincts screaming Hallow hands palms aching My instincts screaming Hallow hands your silence bleeds
3.
Reckon 09:12
He walks in slow With his ox blood boots He’s got a beard that’ll tell ya the truth He rides real fast On his busted up bike He’s got hell burning in his eyes Reckon he’s got his own way Loud boom, down tuned That old god never sounded so good Reckon he’s got his own way A Viking’s heart doesn’t beat like ours does When your mama acts like she doesn’t know ya Reckon he’s got his own way He doesn’t need Any validity And it’s louder than any old Ducati Reckon he’s got his own way Loud boom, down tuned That old god never sounded so good Reckon he’s got his own way A Vikings heart doesn’t beat like ours does When your mama acts like she doesn’t know ya Reckon he’s got his own way Thunder bunny yo Thunder bunny
4.
The other night I dreamt of the devil In a painting white teal and purple His glowing head and arms were a’ flailing But the frame was somehow firmly planted He didn’t talk but yeah he scared me I left the room but he still got to me He’s in my head He said no matter what way I go I’ll end up suffering After Death suffer more Trapped in your mind for a million score Yeah I can pretend to be happy So no one can read my cares Easy enough for me to keep on laughin’ Loud enough to drown out my fears Easy enough for me to keep on drinkin Fast enough to make things unclear He’s in my head He said no matter what way I go I’ll end up suffering After death, suffer more Trapped in your mind for a million score Come rain or shine The choice is mine Pride of life trick Make your soul sick Walk to the light Forever fight I’ve had enough Call serpent’s bluff
5.
Welter 02:55
The villain plays the victim Do you use pity as your weapon? I know you don’t know yet That you followed his footsteps Maybe, you don’t want to be Crazy, You just want to be babied, baby Oh welter Meet the clouds half way Oh welter Summon another raining day Traitor over treaty Paint it black before leaving I know you’ve been here awhile Cross your burned bridge with denial Maybe, you don’t want to be Lazy, you just want to be babied, baby Oh welter Meet the clouds half way Oh welter Summon another raining day
6.
Tradewind 11:48
A whole lot to let rain Baggage unclaimed Sure it’s time to bring Hail and rain A whole lot to let go Rip off the Band-Aid Looks like a fair trade Hail and rain Bogged down with uncertainty Covered anxiety This isn’t where I thought I’d be Hail and rain Little specs and tiny traces Keep creepin’ in the wrong places It‘s heavy but mistaken Hail and rain Here we go Trade winds blow Storm to grow Sail on We stand here staring At each other exposed It’s easy I suppose Hail and rain Whole life to start new Death dreams about you Soul renewed Hail and rain Razor sharp memory Cuts a heart on my sleeve I guess this is how I’ll be Hail and Rain Open wounds, healing truth It comes in waves but you never moved And you stood by my side During the hail and rain Open wounds, healing truth, healing you Open wounds, open, open you Healing truth

credits

released April 20, 2017

Recorded & produced by Billy Anderson at Sharkbite Studios, Oakland, CA. Mastered by Justin Weis at Trakworx, San Francisco, CA.

Artwork by Shaun Beaudry.

©2017 Brume - All songs written, arranged & performed by Brume except ‘Harold’. Lyrics are extracts from an original poem by Victoria June Baigrie.

Piano on Welter performed by Billy Anderson.

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Brume San Francisco, California

Brume are a San Francisco-based doom metal trio who combine the weight of Black Sabbath’s pioneering distorted riffs with the graceful beauty of singers like Bjork and Portishead’s Beth Gibbons.

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